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Mayan Head Glyph "Ho"
design and images copyright 2006 Nileen Hunt, all rights reserved
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FREE wallpaper
 
 
 

19.5 inches wide by 29.5 inches tall
See closeup photo below.
Exhibited at the Page-Walker House, Cary, NC
 
PAQA South challenged its members to produce works based on the theme of "five."

As a mathematician I have always been interested in the number systems and the methods for simple calculation used by other cultures and by earlier civilizations.   Some systems, such as the Egyption, used symbols that did not lend themselves to easy arithmetic.  The Egyptions had to develop extensive "lookup" tables even for addition and subtraction (to say nothing of multiplication and division).  Only highly educated scribes performed arithmetic in the Egyptian culture.  Other systems, such as the arabic numbers we use today, are straightforward, and every young child learns to do arithmetic.

An earlier culture that had an intuitive system for writing numbers was the Mayan.  "One" was a single dot, "four" was four dots in a row, "five" was a horizontal bar, "nine" was a horizontal bar with a row of four dots above it, and "seventeen" was a stack of three horizontal bars with two dots on top.  Mayan arithmetic was not as easy as with our modern system but was much easier than for the Egyptians.

One thing both the Mayan system and our modern system have in common is that there are two ways of writing numbers.  We can write the numeral "5" or the word "five."  The Mayans could use the horizontal bar for the number "5" and they also had a head glyph for the word "five."  It is this head glyph for five that is presented in my wall hanging.  In spoken Yucatec this glyph is pronounced "ho."

 
 
 
Because the Mayan culture is today known largely from its monuments and carvings, I decided to present the glyph "ho" as if it were carved into a stone wall that is being overgrown by vines.

I selected a piece of my hand-dyed cotton whose colors looked rocklike and which already had places where the mottled dyes gave dimensionality I could expand upon.   Then I used dyesticks to add considerable shading to form the glyph.   The quilting provides the sharp definition that represents the carved lines.

The appliqued vines and leaves are hand-dyes in not just greens but also golds and browns, to imply a fading or dying vine (just as the Mayan culture has faded and died).   Some leaves are dimensional (fused from two layers of hand-dyes in two colors) and only partially sewn down so that they can slightly overlap the edges of the head glyph (and the edges of the wall hanging) to denote that the glyph is being slowly covered over by the vines.

 
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The background on this page is one of my original wallpapers.